Only at the highest frequencies (above 16-18 kHz) there is the rise, which is caught not like coloring, but only by expressly clear airy trails, accompanying the sound of high instruments.īoston Acoustics VR-M90 can be considered exemplary in dynamics too. Discants in the performance of VR-M90 sound dynamically and neutrally. Nearly the same can be said about the upper range. The loudspeakers easily played (although not too linearly) large Turkish drum in symphonic orchestra, very realistically transferred attack and grandiose overhangs of Japanese drum. The range is so wide that it seems that the developers were overmodest specifying in the passport data the lower limit frequency of 37 Hz. In addition, they differ from VR-M80 by the presence of the third band - a special 90-mm driver plays MIDs.Īlthough VR-M90 do not boggle the mind by their sizes, they are able to sound as very large loudspeakers. VRM are made in USA, finished with natural veneer and have the reinforced internal vibration protection and cast baskets of the drivers. A significant difference in the price is easily explained. There are also no fundamental differences in the type of the used drivers - these are the same branded DCD mid-woofers with the diameter of 165 mm and inch aluminum tweeters with the patented phase AMD corrector. The loudspeakers of VRM series by design are very similar to more affordable VR.
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